Subjective Topographies I & II

A monumental exploration of the “invisible architecture” that surrounds us. This diptych translates universal vibrations into an organic, imagined landscape. Moving across two substantial wood panels, the work captures the interference patterns of a subjective world—one where sound is seen and energy is felt. The use of translucent inks and sweeping spray-paint gestures creates a sense of kinetic depth and resonance without the need for external light.